Let Me Look At You explores the diametrically opposed relationship between two generations of gay men – between the narrator (Mark Pinkosh) and the eponymous ‘you’, a young man in his late 20s.

If you want to see a farce, there are no companies better than Mischief Theatre.

Peppa Pig is not a rock star, but she’s up there with the best of them when it comes to drawing a crowd.

With the Greater Manchester Fringe running through all of July – the event’s seventh year – Mancunian Matters went to speak to some of the acts and the organisers of the event at the closing party…

Sting’s talents have led him to success in the world of film and music – but that doesn’t necessarily mean he’s capable of penning a hit musical.

It was an evening of unbridled emotion on the opening night of War Horse at The Lowry.

In Samuel Beckett’s Happy Days, a woman is buried up to her waist in a hole and then later up to her neck.

A theatre production can only dream of a smooth sailing run – but it’s ultimately the public who will decide whether it sinks or swims when on the stage.

Kindertransport has returned to the stage in Manchester 25 years after writer Diane Samuels’ first showing – and it’s now presented to the world in a time where its themes of identity politics, immigration and anti-Semitism are perhaps more topical than ever.

Soap stars Alfie Browne-Sykes and Riley Carter-Millington were born in the 1990s, some 75 years after the end of the First World War.

Playing at the Lowry’s Quays Theatre, Carlos Pons Guerra choreographed this Spanish reading of Beauty and the Beast, which worked well in the intimate setting.