Paolo Nutini’s last stop on a blockbuster UK tour, which has already seen Newcastle, Sheffield, Glasgow, London, Belfast, Dublin and Birmingham all embrace the Glaswegian’s enigmatic charm.

Swedish indie-electro duo, The Knife, took to the stage at Academy One last night in a crazy orgy of electric, energetic eccentricity for one of the last performances of their final tour, Shaking the Habitual: Shaken Up.

Set in a single room on a hot Mississippi day, Tennessee Williams’ Cat on a Hot Tin Roof is a startlingly realistic and gripping piece that has captured audiences for decades.

Horns is a slightly confused amalgamation of magical realism which succeeds in evocative but lacked any real textbook horror aside from the closing climax

The Wave Pictures performed at Salford’s First Chop Brewing Arm on Saturday to an expectant crowd.

World-famous, Salford-based BBC Philharmonic Orchestra brought 73 years of Radio 4’s Desert Island Discs, to the Bridgewater Hall with plenty of gusto.

A film review of Tony Benn: Will & Testament.

Night and Day Café has avoided the threat of closure after Manchester City Council decided against imposing noise limitations on the venue.

Magic in the Moonlight, remarkably Woody Allen’s 49th directorial credit, is lacking in some fairly critical aspects, yet it possesses plenty of playful charm and is eminently watchable.

The Bridgewater Hall hosted one of the world’s foremost accomplished, international violinists Nicola Benedetti and the Manchester Camerata orchestra this weekend.

War Horse at The Lowry is a powerful display of art in action backed by the heart-warming and evocative narrative of the novel by Michael Morpurgo, who made a special appearance on stage