Review: The Darkness @ Manchester Academy
The Darkness deliver this wave of intoxicating exhilaration in earnest, sounding supersonic in the flesh, with frontman Justin Hawkins never being better.
The Darkness deliver this wave of intoxicating exhilaration in earnest, sounding supersonic in the flesh, with frontman Justin Hawkins never being better.
First, a confession: I am a diehard Enya fan. So if you were hoping for a cynical, cocked eyebrow account of this new age album then you will be sadly disappointed.
Blinking into a glare of neon mist, synth-man Tommy Grace was the first member of Django Django out on stage.
“It’s good to be home,” Shura yells to a clamouring, packed crowd.
As Storm Desmond raged outside, a close to capacity o2 Apollo was teaming with jittery teenage girls, undeterred by the gale force winds blasting the North of England.
Todd Haynes’ Carol, featuring Cate Blanchett and Rooney Mara, treads its own line between arthouse exploitation and mainstream cinema blends while exploring an unlikely but intense lesbian love affair.
I experienced heartbreak for the first time aged nine.
Didsbury’s latest addition to its eclectic foodie scene, CAU, is well and truly a cut above the rest.
The gig kicked off with a sedate but soulful warm-up from London artist Ceaser and Nottingham born singer/songwriter Liam Bailey.
Out of the Gorilla mist came musicians in retro leather jackets and brogues with neatly coiffed hair, armed with a washboard, harmonica and a… theremin? It’s not an inebriated Grease tribute act, it’s Lord Huron.
Tipped as one of the stars of 2016, Samm Henshaw has been gaining a lot of support in recent months, alongside his childhood friends The Sound Experiment.
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