Film review: 1917
1917 has garnered attention for its ambitious cinematography and is a remarkable technical achievement that provides an unsanitised look into the horrors of trench warfare.
1917 has garnered attention for its ambitious cinematography and is a remarkable technical achievement that provides an unsanitised look into the horrors of trench warfare.
The truth is, it’s a solid four-star film – pretty good, worth seeing, but nothing to get hot and bothered about either way.
This charming tale of a mother and son’s meandering summer holiday from The Inbetweeners star Simon Bird in his directorial debut could easily wander into mediocrity, but instead becomes something all the more endearing.
Having found success by reviving Rocky Balboa for the Creed series, Sylvester Stallone again attempts to provide a fitting end for one of his iconic characters in Rambo: Last Blood.
A French crime drama centring around the murder of an elderly woman in a poor commune in France sounds like it has all the right threads to make a compelling story.
Dealing with real life terrorist attacks in film is a bit of a grey area. On the one hand, widespread media coverage is exactly what these terrorists want.
Fear. Fear of God. Fear of money. Fear of the police. Fear of the future. Fear of the past.
Christian Bale stars as Dick Cheney in this look at the Bush administration.
MM sit down for the premiere of Manchester director Jack Levy’s latest release – a deliciously dark and droll claustrophobic thriller.
Stutterer is a beautiful romance that sheds the clichéd tropes of the genre to produce something poignant, wonderful and genuine.
We Can’t Live Without Cosmos bears both the warm comfort of the Saturday morning cartoons of youth and the wonder and depth of the cosmos themselves.
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